Homepage
Contact Cityzen
Cityzen Radio Playlist
Advertize With Cityzen.tv

 

 

 


Kicking off the 4th Anniversary of Motherfucker were New York’s own ESG, a band of sisters named Scroggins from the Bronx who helped redefine dance music in the early 80’s. Call them pioneers of hip-hop or post-punk if you’d like; their beats rival James Brown in terms of rap sample frequency, and most of the records produced by DFA owe the Scroggins girls a debt of gratitude, if not outright royalties. Even though Motherfucker prides itself on over-the-top, in-face excess, ESG’s minimal but driving beats reminded the partiers of that whole less is more thing. Who needs more than a two or three note bassline, casually enticing vocals and the occasional drum fill, just as long as it gets your lazy ass in gear? Certainly not lead vocalist Renee, who was kind enough to speak with Cityzen before the band’s Motherfucker gig. As charming and unpretentious as her music, Renee shared her thoughts on:

Hip-Hop and Post-Punk, Yesterday and Today:

Recently, it’s getting a little more interesting. A while back, I wouldn’t have said that, but current groups I find on the scene are real interesting. I like all kinds of music, but I’m glad that the punk music and hip-hop music has taken off, because I believe those people have things to say, and I believe that’s why the music has stood out so long.

Her Favorite New Bands:
The only band I can think of that I’ve liked for years is No Doubt. I’ve played at plenty of festivals where I saw up and coming bands that were real interesting, and they haven’t gone mainstream yet. But playing with so many bands, it’s hard to think of a (specific) name. It’s funny, I can see them, but I can’t think of the names of the bands.

ESG’s Latest:

We have a new album, but we haven’t decided when we’re going to release it. We’ve released the past two albums off the record label in London, Soul Jazz Records. But we’re not too sure where we’re going to release the current album we’ve recorded. There’s always the flavor of the ESG sound, but I think it has a different sound to it too.

Martin Hannett:
I remember recording with Martin Hannett like it was yesterday. He was a real cool guy. When I hear all these stories, and people say all these things about him, I say, “That’s not the Martin Hannett I knew.” He was a real mellow guy. He treated us real well. It was our first recording session, and he was very helpful.

Old and New Generations of Fans:
I’ve always loved the fans, because they’ve always been very supportive. But I think it’s real cool now because our daughters are playing with us, and the fans are basically the age of our daughters. So it’s real cool to be a new group that they’ve never heard of, and still have the enthusiasm that these new fans have.

Indie vs. Mainstream:

I’m sure it would have been a better ride (if we were more mainstream), but I have no complaints with our career, because we’ve been able to do what we wanted to do, we’ve been able to play music we wanted to play. Because if we would have got into the industry and the commercialism, we wouldn’t have been able to do the things we’ve done all these years. (The indies)…basically that’s all I’ve ever dealt with. The majors, they want to get too much into the creative span of your music, and as an artist, you generally don’t want that. The indie labels allow you to do what you want to do, and that’s the thing I’ve always respected about them.

Dance vs. Disco:

I don’t see where dance music and disco differ much. Because dance music and disco, we had repetitive beats, and a hard driving beat. (Dance culture) really hasn’t changed that much over the years. We can change the name from disco to dance, because it became more comfortable for the industry.