Homepage
Contact Cityzen
Cityzen Radio Playlist
Advertize With Cityzen.tv

 

 

 

VAST
@ Mercury Lounge 6.15.2004
by Abby Davis

“They’re better than this, I promise, they sound better than this,” a tall blonde says to the unamused man standing beside her as the band Vast (Visual Audio Sensory Theater) tunes up, in preparation to play a crowded show at the Mercury Lounge. He continues to look doubtful. And he isn’t the only one- I myself begin to wonder if maybe I am not exactly…um…in my element. For the past two years my neighborhood (the East Village) has had a steady influx of sullen emaciated rocker boys accompanied by a lot of whiny songs, but never with anything of validity to whine about. Without having even begun to play their set, I could tell that Vast would not be one of those bands. And I was relieved.

As the crowd paved a mini walkway for the band, I braced myself for, well, I didn’t know exactly what to brace myself for- the unexpected perhaps. The crowd, which was a mix of young, old, punk, rock and more, was as surprising as the diversity in individual songs of which Vast played throughout the night. They began by playing a mix of hardcore rock songs with a steady undercurrent of electra. Soon however, lead singer and writer Jon Crosby traversed into older, more popular tunes. Crosby, one of the only original members of the band, would let out piping vocals which were deep and hungry enough to fill the crowd’s sweaty pores.

“I didn’t want to hurt you, I didn’t want to hurt you, I didn’t want to hurt you but you’re pretty when you cry,” was one of the many simple, yet entirely effective lyrics which forced me, even in my inexperience with Vast, to sing along. Crosby had a tendency to clip the end of a phrase, or come in late, as if his lyrics were too painful for him to recount. However, although front man Crosby is a staple of Vast’s success, Vast would be nowhere without their always changing, yet constantly perfected ensemble players. To be blunt- the drums kicked ass, the guitars were always played to perfection, the bass, perfectly stoic, and the back vocals, jarring yet melodic, blended harmoniously with Crosby’s howls. The band, which seemed to be more about brotherhood than creating a spectacle, talked occasionally with the audience. They weren’t there to fromp around onstage and google eye the young girls, they were there for one reason and one reason only- to play good music for listeners everywhere to get lost in. In one of Crosby’s few speeches to the audience, he asked, “Do you guys want to hear some more?” As the audience explodes, he coolly replies, “Right on.” Playing a song then which did not make it to their new album, Nude, I realized how surreal it is to watch a live band perform while a backtrack is playing. Somewhat to the effect of a Radiohead show with less focus on aesthetic pleasure and more focus on pumping out the songs.

Nude
Visual Audio
Sensory Theater
Music for People

By the end of the set I looked over to the couple I had noticed at the beginning of the show and found that the blonde continued to jump up and down, yelling into the man’s ear, “They rock!” And by this point, the man, smiling, staring intently at the stage, seemed to agree. Another audience member, clearly enjoying himself was Carson Daly. Like a proud father watching his son step up to the plate in a Little League game, Carson took great pleasure in watching one of his record label’s bands put on a hauntingly good show.

So, as I now go back to my life of boys in tight pants rolling around onstage, and angry girls with painted-on faces throwing water into the audience, I feel a bit sad. Why can’t more bands today just play good music without a “too cool for school” façade? And, where did this misconception come into play that you can’t rock with an acoustic? Forget that. What all these poseur punks need is a good ol’ bitch slap every now and then- that, and a lesson or two from Vast.