|
|
 |
VAST
@ Mercury Lounge
6.15.2004
by Abby Davis |
“They’re better
than this, I promise, they sound better than this,” a
tall blonde says to the unamused man standing beside her as
the band Vast (Visual Audio Sensory Theater) tunes up, in preparation
to play a crowded show at the Mercury Lounge. He continues to
look doubtful. And he isn’t the only one- I myself begin
to wonder if maybe I am not exactly…um…in my element.
For the past two years my neighborhood (the East Village) has
had a steady influx of sullen emaciated rocker boys accompanied
by a lot of whiny songs, but never with anything of validity
to whine about. Without having even begun to play their set,
I could tell that Vast would not be one of those bands. And
I was relieved.
As the crowd paved a mini walkway for the band, I braced myself
for, well, I didn’t know exactly what to brace myself
for- the unexpected perhaps. The crowd, which was a mix of young,
old, punk, rock and more, was as surprising as the diversity
in individual songs of which Vast played throughout the night.
They began by playing a mix of hardcore rock songs with a steady
undercurrent of electra. Soon however, lead singer and writer
Jon Crosby traversed into older, more popular tunes. Crosby,
one of the only original members of the band, would let out
piping vocals which were deep and hungry enough to fill the
crowd’s sweaty pores. |
|
| 
|
“I
didn’t want to hurt you, I didn’t want to hurt
you, I didn’t want to hurt you but you’re pretty
when you cry,” was one of the many simple, yet entirely
effective lyrics which forced me, even in my inexperience
with Vast, to sing along. Crosby had a tendency to clip the
end of a phrase, or come in late, as if his lyrics were too
painful for him to recount. However, although front man Crosby
is a staple of Vast’s success, Vast would be nowhere
without their always changing, yet constantly perfected ensemble
players. To be blunt- the drums kicked ass, the guitars were
always played to perfection, the bass, perfectly stoic, and
the back vocals, jarring yet melodic, blended harmoniously
with Crosby’s howls. The band, which seemed to be more
about brotherhood than creating a spectacle, talked occasionally
with the audience. They weren’t there to fromp around
onstage and google eye the young girls, they were there for
one reason and one reason only- to play good music for listeners
everywhere to get lost in. In one of Crosby’s few speeches
to the audience, he asked, “Do you guys want to hear
some more?” As the audience explodes, he coolly replies,
“Right on.” Playing a song then which did not
make it to their new album, Nude, I realized how
surreal it is to watch a live band perform while a backtrack
is playing. Somewhat to the effect of a Radiohead show with
less focus on aesthetic pleasure and more focus on pumping
out the songs. |
 |
Nude |
 |
Visual Audio
Sensory Theater |
 |
Music for People |
|
By the end
of the set I looked over to the couple I had noticed at the
beginning of the show and found that the blonde continued
to jump up and down, yelling into the man’s ear, “They
rock!” And by this point, the man, smiling, staring
intently at the stage, seemed to agree. Another audience member,
clearly enjoying himself was Carson Daly. Like a proud father
watching his son step up to the plate in a Little League game,
Carson took great pleasure in watching one of his record label’s
bands put on a hauntingly good show.
So, as I now go back to my life of boys in tight pants rolling
around onstage, and angry girls with painted-on faces throwing
water into the audience, I feel a bit sad. Why can’t
more bands today just play good music without a “too
cool for school” façade? And, where did this
misconception come into play that you can’t rock with
an acoustic? Forget that. What all these poseur punks need
is a good ol’ bitch slap every now and then- that, and
a lesson or two from Vast.
|
|
|
|