
Volume 7
While the last edition of Moving In Stereo involved more breakups
than make-ups, this one is far more optimistic and awaiting of
what’s to come. Although the weeks since Volume 6
have included a lot of time spent in front of a computer, there
were quite a few interesting performances caught by yours truly
in that time. Unfortunately due to a pre-determined word
limit (Cityzen.tv does not limit Darren's
work, this is a syndicated column- Ed.), some of these
newsworthy happenings will likely have to wait to be described
until Volume 8.
…From The Island
Two years since the cleverly-titled Dying In Stereo,
Northern State has a full-length release
readied for mass consumption. Titled All City,
the disc will feature cameos from Har Mar
Superstar and ?uestlove, in
addition to production from Pete Rock
and Cypress Hill’s Muggs.
Despite said collaborators, an old-school sound should still be
expected… A five-piece band picking up a lot of industry
steam is The Never Enders. Of
the heavier-yet-melodic kind (i.e. Poison
The Well, Refused, The
Used), this quintet includes Kimberly
Blair producer Tomas Costanza
on bass duties…In addition to earning some airplay on WBAB,
The Repercussions turned some heads
as semi-finalists in Little Steven’s Underground Garage
Battle Of The Bands. Their latest disc, the ESCHE-released
Don’t Fear, is said to be some essential listening...
Ready Twilight – recent collaborators
with the aforementioned Never Enders bassist – will be seeing
some international exposure within the next year. The summer
of 2004 saw the young travel out to Los Angeles to record the
theme song of The Life & Times Of Juniper Lee with
Stewart Copeland, former drummer of
The Police. Expect the series
to premiere in February 2005 on The Cartoon
Network.
…From The Stage
Friday matinees aren’t generally successful bookings on
suburban Long Island, but a unique and exciting show happened
with Hello Sir Records co-founders
We Vs. The Shark and Cinemechanica.
Following an opening set from the eccentric, crowd-moving,
They Might Be Giants-inspired one-man band that is Dan
Deacon, Cinemechanica played complex, fast-paced music
that often bordered on math-rock and post-hardcore; my jaw often
dropped when watching the dueling-lead guitarists keep up with
the rhythm section. Equally as impressive as musicians were
We Vs. The Shark, who frequently switched genres, time signatures
and lead vocalists -- influence from The
Minutemen was apparent despite a truly-original sound.
Unfortunately, time limits kept these two naturally-energetic,
Athens, Georgia-based quartets from playing full-length sets…
Judas Priest may be considered
a punchline in some music circles, but recycled banter aside,
their performance on the Jones Beach
stop of Ozzfest was nothing to laugh
about. Sticking with the classic Priest that dominated setlists
in the 1980’s, nearly every song done for the near-capacity
audience (who stood there in the midst of thunder, lightning and
rain) should’ve been recognizable to any casual metal listener.
On-stage effects and props were kept to a minimum – aside
from the expected (and well-received) mid-show appearance of the
infamous motorcycle – but the note-perfect belting of Rob
Halford helped to keep your mind off such. While
most reunion tours are obvious cash-in attempts, this was truly
a band in top-form… I consider myself fortunate that my
schedule and bank account both afforded me the chance to catch
this year’s Summerfest, even if only two days of festival
action were caught. Showing the quality of bookings over
the span of the annual Milwaukee festival, The
Response and The Obsoletes
played impressive sets simultaneously on opposite sides of the
grounds. Giving the crowd a spirited Hot
Rod Circuit cover in the midst of powerful tunes like “Until
Then…” and “Becky Slater For President,”
the three guitar-wielding members of The Response took full advantage
of their cordless instruments with incredible stage presence.
Less humor-oriented and more “about the music,” The
Obsoletes served as the perfect opening act for The
Old 97’s. Consisting of former members of Yesterday’s
Kids and The Benjamins, a void
of alt-country had been filled by this power-trio, who have undeniable
anthems in “The Town That You Grew Up In,” “The
Other Side Of America” and “Down To Milwaukee,”
which are all on Is This Progress, a previous Moving
In Stereo recommendation. Even if two-thirds of the
lineup is from Appleton, talk about a band with hometown pride!
…From The Stereo
A standout band that’s picked up activity after a brief
hiatus, The Plus Ones have an interesting
album in the forthcoming Oh Me Of Little Faith.
Expanding on the one-sided sound of It’s A Calling
– which included “All The Boys,” as prominently
featured on The O.C. -- a lot of pop-rock variety is
to be expected from Oh Me; some of which thanks to the
vocal interplay between bassist/songwriter Joel
Reader and new guitarist (and Jersey native) Alexis
Melnicki. In the meantime, updates and song samples
from the Bay Area crew can be found on MySpace…
Action Action features former members
of The Reunion Show, Count
The Stars and Diffuser yet
doesn’t sound much like any of those acts. Don’t
Cut Your Fashion To This Year’s Fashion, which carries
a September release date on Victory Records,
is a collection of songs that alternate between dark, synth-driven
dance-rock and cynical punk-pop. To these ears, unforgettable
tracks are “Instruction,” “Postal Cure”
and first single “Drug Like”…
Nikola Sarcevic is best known as the voice of Sweden’s
Millencolin but Lock-Sport-Krock
may not appeal to the same audience as Pennybridge Pioneers
or Battery Check. With a melancholy folk-rock vibe,
Sarcevic forgoes puns and calls for unity in place of sincerity,
heartache and saddened reflection. Mostly acoustic and nearly
percussion-free, this could be what early fans of Dashboard
Confessional had been craving a few years back.
If you have news to report for the next edition
of Moving In Stereo, press releases
and all other correspondence for Darren should be sent to ASellOut@AOL.com
© 2004 – Column used with permission
from Darren Paltrowitz. All right reserved.