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Turn Off the Limelight
Interpol
Antics
(Matador)
by Abby Davis

When we first heard Turn On the Bright Lights, a lot of us probably thought of the same four words: Isn't this Joy Division? While listening to Antics, however, four new words come to mind: when will this end?


Even after repeated listens, the slow, monotonous, clone-like songs on Antics fail to seduce, mainly because Paul’s vocals seem even more strained and tired than ever. Understandably, a much ballyhooed follow-up to a much-ballyhooed debut is a daunting task for a young band, but unfortunately it feels as if Interpol's doe eyes are timidly staring back at the headlights of public anticipation, frozen and unable to decide what to do or in which direction to take their sound. Musically, they're playing the same sounds from Bright Lights, now they're just over-saturated with boring vocals and studio-pop engineering.

Aside from "Evil," the only enjoyable track, possibly the only upside to this sad portrayal of a once promising band would have to be the simple, often prophetic poetics embedded within their tales of loneliness and longing ("We marshal in the days of longing/ We tremble like aimless children/ And wait to watch the fire"). Go online to download the verses, save fourteen dollars and spend it on something worthwhile, like buying me a stiff drink to make me forget these Antics.

Discography:


Turn On The Bright Lights
$13.94 @ Amazon.com