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They Might Be Giants
7.31.04 @ The Downtown
by Paul Wenzel

“It is Crazy Fucked-Up Hot!”
They Yelled… Flansburgh was Noticeably Drenched:

When the lights came on amidst blaring classical music to signal They Might Be Giants’ arrival to the Downtown stage on July 31, the crowd was erupting with mad anticipation. Finally, the Johns ran onstage and gave the cue to begin. From the opening notes of “She’s An Angel” to the rock ending of “End of the Tour,” TMBG played a familiar yet surprising show.

For one, they only played two songs off their new LP The Spine within the first thirteen songs. In total, out of their hour and a half long, twenty-six song set, they only played five songs from their new sixteen song EP. On top of that, they ignored some of the more single-oriented songs (“Memo to Human Resources,” “Au Contraire,” and “Wearing a Raincoat” to name three) in order to throw in more kitschy fare (“Wicked Little Critta,” “Famous Polka,” “Violin”). Not that it was a surprise, TMBG have made a career out of their wonderfully eccentric shows, but I would have liked to have seen more substance out of the band.

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You could tell from the beginning that the heat, in conjunction with the failing air conditioning system at the Downtown, was making the band uncomfortable. Not only did they mention the heat several times (“it is crazy fucked-up hot”, they yelled before playing “Dr. Worm”), but Flansburgh was noticeably drenched. This fact led to a lack of fervor that was very uncharacteristic of the band. They cut a couple of songs short, they never got around to playing a full song in their signature “spin the dial” game (a game where Flansburgh turns on an FM radio and randomly turns through the stations, forcing the band to play along to any random song that popped up), and, even though a crew was dedicated to filming the show, the band asked all the lights to be turned off during “Don’t Let’s Start.”

All in all, when the band wasn’t serenading the Downtown’s bar food, or sweating to their own oldies, the band put on an intimate, tight, and worthwhile show. Their banter was unparalleled (“People often ask us what kind of music we’re into. We say jazz and classical, you know, to make the conversation end faster”), their crowd control was amazing (they had the entire crowd do the wave, even though no one was sitting down), and, of course, their musicianship was second-to-none. They worked Santana into “Older”, the Jackson 5 into “The Guitar,” and, most impressively, had Corn Mo come up for a double accordion rendition of “Particle Man.” While it wasn’t the best TMBG show I have seen, the band still had something for all attendees, fans and non-fans, adults and kids, dorks and geeks.

Opening for They Might Be Giants was Common Rotation. The core of Common Rotation, Adam Busch and Eric Kufs, were on point from the very beginning. The first song was a good start, a catchy melodic song, filled with difficult harmonies that were all done with perfect precision. That set the mood for the rest of their set. A collection of extremely catchy songs, done extremely well, with wonderful harmonies, clever hooks, and great humor mixed in. The only thing that added to their stage presence was the addition of the Professor Ken Beck on drums and Jordan Katz on everything. Needless to say, they filled out the songs completely, and left the crowd screaming for more.

Next up was Corn Mo. There is nothing I could say about Corn Mo I couldn’t say about an accordion toting son of Fabio and Meat Loaf. It was like Lawrence Welk fighting a battle with an 80s glam band. As you can imagine, it was a uniquely wonderful experience. He played the entire set solo-- just him, his accordion, drums on his legs/feet, and his voice. He performed everything from a cover of “We Are the Champions” to an original about the time his friend Jason peed on his other friend Jason (“The Day Jason Klein Cried”).