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The End of R.E.M.
As We Know It?

R.E.M.
Around the Sun (Warner)
by Joe O'Brien

Despite soundtracking myriad comings-of-age since the mid-80's, R.E.M. has, over the past several years, grown pervious to backlash from even the most devoted of fans.

So much so that the comment board on the MySpace.com page where the band was kind enough to preview Around the Sun displays, among scores of "You guys rock!"s, traces of constructive criticism, ranging from "Make the next album a rock n' roll album! Play some fast songs!" (- "Tim") to "R.E.M. is unquestionably my favorite band of all time...but quit it, guys. Your existence now is as inexplicable, and yet sadly as understandable as the fact that Bush will get a second term. Say no to Bush. Say goodbye to R.E.M." (-"Wade").

Demanding, perhaps harsh words, but humble opinion be told, the 13th R.E.M. album, or the first Michael Stipe solo record (Peter Buck and Mike Mills are virtual non-entities here)- take your pick- is soporific even by post-Bill Berry standards. It begins strongly enough with "Leaving New York," but most of the rest trudges through the same heartbreak mixtape territory with far less memorable results ("Make It All Okay," "I Wanted to be Wrong," "High Speed Train"). Only on a handful of tracks do they show additional signs of life: "Wanderlust" isn't Greatest Hits material, but it'll keep your foot from falling asleep; "The Ascent of Man" features a soulful "yeah yeah yeah" refrain; and on "Final Straw," where personal and political frustrations entwine ("as I raise my head to broadcast my objection/as your latest triumph draws the final straw/who died and lifted you up to perfection?/and what silenced me is written into law" ), the band's quiet anger chills to the bone. But sporadic moments of inspiration do not a flatlining career resuscitate. While I wouldn't be so bold as the legacy protectors who wish to bid R.E.M. farewell, how eagerly I anticipate album 14, should Buck and Mills feel up to it, remains to be seen.

R.E.M.'s Rich Pageant - Discography

Chronic Town
(IRS, 1982)
Murmur
(IRS, 1983)
Reckoning
(IRS, 1984)
Fables of the Reconstruction
(IRS, 1985)
Lifes Rich Pageant
(IRS, 1986)
Document
(IRS, 1987)
Green
(Warner, 1988)
Out of Time
(Warner, 1991)
Automatic for the People
(Warner, 1992)
Monster
(Warner, 1994)
New Adventures in Hi-Fi
(Warner, 1996)
Up
(Warner, 1998)
Reveal
(Warner, 2001)
from Amazon.com