Michelle Albano
Second Guesses
(Big
Dreamer Music 2005)
by Corey J. Feldman
Good original piano rock is hard to
come by, and a powerful yet innocent female piano rocker
is ever rarer. Michelle Albano uses her angelic, elegant
voice to sing her thoughts in songs of various shapes and
sizes. The range of her 11 track debut album, Second
Guesses, really puts her on the map of growing artists.
From pop/rock and lounge tunes, to ballads of beautiful
rhyming poetry, Michelle’s voice and lyrics were crafted
over many years. Her band supports her music with a perfect
balance of right-on rhythms and orchestrated musical subtleties,
pauses, moments of improvisation, simplicity and complexity.
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“Bye Baby,” the album opener, starts with
some light, pretty piano chord progressions and melodies, followed
directly by a straight, full band rock verse, and a powerful, catchy
chorus: “Cause every time I hear you call my name/I know it’s
gonna be the same/I’ve already said a thousand times/Bye baby
bye bye.” She sets an upbeat, head-bobbing mood only to follow,
some slower more eloquent songs.
Her lyrics have a unique boy/girl pop feel, but they’re
very biographical and represent a growing musician, lyricist, and
singer. While most pop artists find and abuse clichés (particularly
romantic ones), Michelle makes her own, unique, original words shine
in a very radio friendly way.
“Reason” is a pop/rock tune with a hint
of lounge energy that drives as she sings, “If you need a
reason to be happy/If you need a reason to be kind/If you need a
reason to love me/Nevermind, Nevermind.” You get a very strong,
independent rock feel at this moment of the album as “Reason”
comes after a lonely pop song called “Lullaby of the Passing
Cars” where the lyrics take great shape and paint a great
image: “But if I have to make this cereal box into dinner
for the week/Then that’s what I’ll do/Cause I don’t
ever wanna leave.”
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Her final track, “Painting
By Numbers,” is a genius lyrical toy to end an album.
Layered over a seemingly solo piano with faint echoes of an
acoustic guitar, she gently sings “Water it down/Change
it around/All the more reason to fight/Stating your case/That
perfect mistakes/Just somehow seem right.” This album
is a concept, and one I’ve become particularly attached
to even though it’s not the type of music I like to enjoy
on a daily basis. When you finish listening to the album, you
do feel like you know the artist a little, and that’s
a hard musical experience to achieve. |
Though she may seem to be filling the same niche as
a Michelle Branch or Vanessa Carlton, Michelle Albano has a mature
voice that speaks to both the younger female pop/rock demographic,
as well as a more mature contemporary audience. She’s already
claimed the Bitter End once a month, and the potential is certainly
there. Her voice could get her anywhere, and it serves her best
in her own music. Her original songwriting and rock-solid band give
her a unique position in the NYC music scene as the professional
quality of her music certainly deserves some mainstream attention.
I’d certainly be interested to hear any music she writes in
the future.
You
Dig, You'll Dig:
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Vanessa Carleton
Be Not Now |
Michelle Branch
Hotel Paper |
Tori Amos
The Beekeeper |
Rachel Yamagata
Happenstance |
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