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Unified Theory...

Stringtheory
Spin
(Independent)
by Paul Wenzel

Albert Einstein, one of the most brilliant and legendary thinkers and physicists in history, died with only one regret- that he failed to come up with a Grand Unified Theory or a Theory of Everything- one single formula that could unite all forces in the physical world. Finally, in the 1970s, a collection of physicists advanced what is now known as String Theory, the first legitimate attempt to unify all matter and energy in one theory by reformulating the most fundamental building blocks in the universe.


Thirty Years Later the Boston-based quartet Stringtheory try to unify music in much the same way, taking many diverse elements and trying to assimilate them into one cohesive album. Take the falsetto, vibrato, and guitar work of Jeff Buckley, mix the melodies of Silverchair, and the floaty airs and interplay of U2 and you can sum up Spin, the most recent album by Stringtheory. When examining at this album, you can look at three very distinct tracts- the songs, the production, and the lyrics.

The songs are very easily the highlight of this album. The melodies are all utterly singable and will find themselves lodged in your head, being sung over and over again throughout the day. The instrumentation is written very well, combining the rhythm and lead guitar lines with complex drum beats and walking basslines in one fine patchwork that always works to accentuate the vocals. The one complaint I would advance is that a majority of the album sounds the same- they always seem to default on keys, patterns, and guitar arpeggios. After getting past the first album track, “Fortune Teller”, a rocker, the rest of the album falls into a steady, light bout of yawn-inducing complacency . I found myself wanting more diversity, and a rocking reprise when all was said and done, though i did appreciate the reggae break of “Love Is Mean”


String Theory Is:
Rob, Adrian, Costa & Ryan (Left to Right)

The lyrics of the album, while occasionally insightful and impressive, have a tendency to become hackneyed and mundane. Some lyrics, like the final track, “What Will Follow”'s, “all my regrets wish they could fly out of my head, out of my way” are wonderful examples of problems we all face. Some lyrics, like this selection from “Fortune Teller,” “i don't hate Egyptian cuisine, i just like to know where the hell you're from and a burger with cheese.” are master strokes of imagery. But, for those positives, there are also negatives, like the trite “Love Is Mean,” which bemoans “Love is hand-me-downs,” and other love-based cliches that, when strung together (pun), don't really tell a cohesive story. Altogether, although the lyrics can be hit or miss, they are mostly insightful and paint worthwhile pictures.

The production, if anything, brings down the album. The omnipresent fuzz of the guitars on “Fortune Teller” ring too heavy, and bring down what could be a true winner. If they added heavy metal distortion somewhere else on the album, it may be a different story. Also, there are random electronic drum loops that bring down spectacular drum work, are inserted somewhat randomly, and stick out like a sore thumb. Good songs like “Somewhre Inside” are really brought down by this clutter, and should have definitely been made simpler- proving the lesson that, sometimes, you detract by addition.

All in all, I thought this was a good album. It didn't blow me away, and it took a couple listens before the songs grew on me. While this release won't be the strongest in their lives, stringtheory has surely laid the ground work for what could be a solid musical career and, if they keep at it, they will surely make a big name for themselves.

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From Amazon.com