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Balancing
Commercial Viability w/ Artistic Integrity
Panel
Review by
Luis M. Soler
November
6th, 2004 @ Spirit
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It was Saturday of the last Global Entertainment
and Media Summit, and along with the legion of hopefuls, I shuffled
into the panel discussion of the above title and took my seat.
Unformed questions hung fat in the air, fetal and full of possibility,
and eyes shone bright with the thirst for revelation. “How
do I become a success without feeling like a whore?” was
what we came to hear about, despite the fancy title and nametags.
Would the gurus provided guide us to the Promised Land?
At the head of the class stood
Phil Nicolo, one-half of the powerhouse producing duo known as
the Butcher Brothers, who are responsible for the creation of
Ruffhouse Records, and have collectively worked with the Fugees,
Kriss Kross, Cypress Hill, Life of Agony, Dog Eat Dog, Nine Inch
Nails, Bob Dylan, Teddy Pendergrass, and the Police. His partner
for the session was Blake Morgan, a musician and founder of Engine
Company Records, a small label based here in New York through
which he releases his own material as well as that of small roster
of other artists. Two sides of the same coin, as further illustrated
by their recent collaboration on Engine Company projects.
The discussion began with the
requisite introductions, and each gentleman spoke a bit about
what they do. Phil recounted his many exploits from over the years;
Blake spoke about the hassles and disappointments of dealing with
a major label. From there, the conversation turned more towards
the subject at hand, and hands in the audience began to sprout
up. Phil probably made the best comment of the session right in
the beginning: “Think! Make personal relationships, they
can help you.”
More
choice quotes from the hour-long session included:
Phil:
“We have a greater opportunity to make the records [or any
project] that we want to make.”
“Don’t settle for a
product that isn’t great.”
“Follow your heart. You never
know what will be big, what people will like.”
“You have to have a realistic
approach.”
“Artistic integrity leads
to viability.”
Blake:
“The world has changed. No one knows what is going to happen.
It’s a level playing field. How do you get heard above everyone
else?”
“Only fight the battle that
you can win. It’s better to do what you can than nothing
at all.”
“Try everything. This isn’t
like the old days. Get out there and do it for your self.”
“Don’t wait. Don’t
stop working and getting your shit together. Adaptability!”
These two did their best to address
all of the audience’s concerns and give as good advice as
possible. Their combined experiences provided an excellent source
from which to draw from, but ultimately their message was this:
Know who you are and what you are doing. Make something worth
standing behind, choose your own definition of success, and believe
in yourself. Foster relationships that can be mutually beneficial,
and don’t be afraid of change. No real revelations, no amazing
epiphanies, no peeking behind the curtain-Wizard of Oz type moments.
Just like trying to achieve anything life, what it boiled down
to was hard work, knowledge, and dedication to yourself. These
are ideals that creative people should always be following. Thankfully
we have such events as GEMS to remind us to stick to them, for
our own good.