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…From The Stage Out on its first full headlining tour of the United States in 15 years – plugging “Angel Of Retribution” -- the classic lineup of Judas Priest is still going at full speed. Not only was the voice of Rob Halford in peak condition at the Jones Beach Amphitheater, but the group still carries a full-scale production. Showcasing enough new material to distance themselves from the “nostalgia” banner that many metal contemporaries wear, the quintet also took a place with its semi-acoustic reworking of “Diamonds And Rust.” One must hope that it will not be another decade before The Priest will be back with another headlining tour Stateside… Out in support of “We’re Not Happy Until You’re Not Happy,” few ska ensembles are on the same level as Reel Big Fish. A band in tact since the early half of the 1990’s, the set-list from the comedically-inclined Aaron Barrett and crew was filled hits and anthems to the point that the majority of songs were recognizable singles. However, the band’s strong musicianship brought out new arrangements on such – including a brief snippet of “Heartbreaker” from Led Zeppelin – on classic tracks, so that even the players on-stage at Irving Plaza appeared to be keeping themselves entertained. Almost as exciting as the headliners on this four-band bill were El Pus. Part of the Virgin Records roster, El Pus consists of two MC’s fronting a guitarist, bassist, and drummer a la N*E*R*D. But when the act broke into a sped-up rendition of Michael Jackson classic “Billie Jean,” it became clear that these are folks to be expecting big things from… Although ska-friendly Californians like Reel
Big Fish, The Aquabats also hold their
own by placing as much emphasis on their hooks as their super-hero
personas. An exciting production at B.B.
King’s in Times Square, this Aquabats show not only
offered you a live on-stage musical performance, but skits and
multi-media thrills on the nearby video screens. Mixing in a handful
of selections from Nitro Records’
“Charge!” along favorites like “Pool Party”
and “Super Rad,” fans were also treated to an unexpected
surprise as one die-hard successfully proposed to another die-hand
during the encore. It’s going to take a lot to keep me from
catching this must-see band at their next Manhattan gig. …From The Screen One of the larger indie labels in the world, Saddle Creek Records has held its own by releasing albums from artists like Bright Eyes, The Faint, Rilo Kiley, and Cursive. Likely to appeal to many of the same people as Death Cab For Cutie’s new video release – as also put out through Plexifilm – “Spend An Evening With Saddle Creek” tells the story of the Omaha, NE-based label from its small-time launch in 1993 to its present-day success. Beyond the 90-minute documentary by Jason Kulbel and Rob Walters, there are nearly 70 minutes of accompanying extras. It will be difficult for a true fan of music to watch this film without feeling the urge to start up their own record company… Dennis DeYoung is known far more for his time with Styx than for his solo career. However, that hasn’t stopped Universal Music from releasing “The Best Of Dennis DeYoung: The DVD Collection.” Kicking off with “Desert Moon,” this release features four music videos from DeYoung that were previously unavailable for purchase. Unfortunately, absolute die-hards will have to keep their fingers crossed about a Tommy Shaw video collection. If you have news to report for the next edition of Moving In Stereo, press releases and all other correspondence should be sent to darren.paltrowitz@gmail.com. © 2005 – Column used with permission from Darren Paltrowitz. All right reserved. |
