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"Ultragrrrl"
Sarah Lewitinn
Many Obstacles Yet
Much Success
by Darren Paltrowitz
Whether you first encountered her
as a columnist for SPIN Magazine, as a talking head
on VH1, or as a DJ for Misshapes, Sarah Lewitinn –
generally known as “Ultragrrrl” to readers
and bloggers – has been around in the music circuit
for longer than you realize. Currently juggling a writing
career and a record label with the New York nightlife,
her online webspace (http://ultragrrrl.blogspot.com)
captivates readers around the world with its regular
recaps of what Ultragrrrl has been up to. And in noticing
how active the lady tends to be, it is difficult to
stop checking her site for updates. |
As writers ought to do when writing about a subject with
whom they are familiar with, I will come clean about two things.
One, Sarah accompanied me to my Senior Prom in 2000, and two,
she helped me land a summer job at an Internet company in
the midst of the dot-com boom. But being close to six years
ago, people get busy and lose touch… and I was fortunate
to recently track down Sarah and pin her down for some Q&A
via e-mail for Cityzen.
Cityzen: What
do you wish that more people knew about Sarah Lewitinn?
Sarah Lewitinn:
That I've been kicking around for ages! I think a lot of people
think I just sort of sprung up one day on the scene about
a year ago, when in reality I have been working at it since
I was about 18.
CZ:
How does Ultragrrrl compare to Sarah Lewitinn?
Is it like Flavor Flav where you're always "on,"
or just that a nickname happened to stick?
SL:
Gosh, I think Ultragrrrl is a fucking slut. She only
likes to bone 16-year old virgin boys who shop at Hot
Topic and wear lots of eyeliner and studded belts. Sarah
Lewitinn is a slut in the bedroom with only one person.
CZ:
Anyone who's successful is bound to have some critics
themselves. What was your take on the blurb that New
York Press ran on you last year? Is something
like that cancelled out by winning multiple awards from
Paper Magazine?
SL:
When I first read the [New York Press] blurb I was so
fucking stoked because I had no idea I was famous enough
to be given that attention. I called friends, my parents
(whom were even more surprised), my manager. Then people
kinda liked ripping on me for a while and that really
hurt a lot. I always thought I was a pretty stand-up
person. I never fucked anyone over and was always as
honest as a person could be. It hardened me... I realized
that no matter how nice or sincere I was, people would
still shit on me.
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CZ: What was
your first job in the music industry?
SL: Umm...
Technically, it was interning at ABC.com where I got to review
CDs for their teen section. I was 16. Then I interned at SPINonline
as soon as I graduated high school. But I guess that when
I was 15 I "managed" my friend Dalia's band Nambla,
which basically meant making posters for her set at the talent
show and putting them around school.
CZ: Between
running a blog, heading a record label, publishing a book
and regularly DJ'ing, you wear many hats, professionally speaking.
Which of these is most comfortable for you?
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SL:
Would it be weird to say that all of them are pretty
comfortable to wear? I generally do whatever comes naturally
to me, and those few things did. However, putting out
the book was maybe the least comfortable because I hate
reading and writing. This record label thing is new
and exciting because I'm still getting footing, but
I feel like I've always had a naturally good ear for
finding hits.
CZ:
Stolen Transmission initially won a lot of acclaim by
putting out music for then-undiscovered artists who
went on to bigger things. As part of the Universal
Music Group, what looks ahead for your label?
SL:
Well, Stolen Transmission is really just a joint venture
incubator of Island/Def Jam (which is part of Universal
Music Group). Our budget is less than what The Strokes
got signed for, so what looks ahead for me is finding
as many bro-deals as I can to make sure my artists are
taken care of and happy. Hopefully they are. Most of
them call me "mom," which is so fucking weird
since I'm so used to being everyone's little sister,
but I guess that people generally love their moms, so
I'm happy.
CZ:
What is it that you look for in an artist when it comes
to working A&R for Stolen Transmission?
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SL: There isn't
one thing I look for. With all the artists that I've signed,
something inside me just felt right when I heard them. I know
IMMEDIATELY when I hear a band if I like them. There's this
one band called Bright Light Fever that I found out about
from my friend Robbie Percell. He was crashing at my house
and telling me about his friend's little brother's band that
were barely out of high school that he wanted to help out
since he loved them. I was zoning out and concentrating on
some art project when I asked him to play them for me and
I just remember getting choked up and tearing and feeling
my heart beat weirdly. I knew immediately that this was a
band I wanted to work with and called my [Stolen Transmission]
partner Rob [Stevenson] incessantly. He was as blown away
by their demo of "Mother Mary Blues" and we decided
immediately to sign them.
Amazingly, the band, who literally just graduated high school,
were in the process of breaking up because the singer, Evan,
wanted to join his big brother's band, Supermodel Suicide.
I spent two weeks persuing Evan telling him he was making
a mistake and that he was a genius -- which he is, I'm convinced.
He finally decided to bring his brother into his band and
take Supermodel Suicide's drummer. It all worked out perfectly.
Anyway, Bright Light Fever sound nothing like anything else
on Stolen Transmission... Same with The Oohlas, same with
Permanent Me, same with Monty. I just fucking loved those
bands, and it was simple like that.
CZ: Are there
any trends amongst labels today that you wish would go away?
SL: Not paying
enough attention to their artists. I talk to my artists every
day.
CZ: Do you
think that there are any major misconceptions about running
a record label?
SL:
That we have a lot of money to throw around. I have
an indie, so I don't have any money.
CZ:
Where do you see blogging to be in the grand scheme
of the music industry?
SL:
As a tool for A&R people to be lazy.
CZ:
Your blog has an undeniable readership as people want
to know where you've been and who you were there with.
What are some of the blogs that you regularly
enjoy?
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SL: Pinkisthenewblog.com,
karenplusone.blogspot.com,
stereogum.com,
gurjb.blogspot.com...
That's it. Just my friends. Those are the only four blogs
I get to read ever. I try to read productshopnyc.com
sometimes because he is really good at getting scoops, but
really, those are the only four I ever read.
CZ: Are there
any NYC-area bands out there not getting the due that you
think they ought to be getting?
SL: THE FIVE
O'CLOCK HEROES! (see
what Cityzen had to say about The Heroes back in July '04)
CZ: Where do
you hope to find yourself 2 or 3 years down the line? Or,
better yet, is there something you hope to be doing in the
future that you haven't already tried doing?
SL: Have you
ever seen the cartoon “Duck Tails?” I want to
build a massive vault and fill it up with money and go swimming
in it like Scrooge McDuck. I want to have enough money to
do this because that will mean that my bands have made bank
as well, as will everyone I work with! My friend Brandon loves
to tease me about my love of money, but I didn't really grow
up with tons of it, so I really enjoy having it and spending
it. I spend most of my money on food. I love cooking and going
to nice restaurants with friends and buying them dinners.
Apart from that, I think the next thing I want to try is having
a successful relationship and making babies. Last night I
was at dinner with my friend Gideon and he couldn't believe
how I've become an adult. He actually said "Whoa! When
did you turn into an adult?!" My answer was "when
I realized that I really had to start paying bills."
I think a year ago when I would tell my friends "I want
to have kids soon," they thought I was crazy talking
-- I wasn't, I was being sincere -- now I think they see that
I'm actually taking full control of my life and many other's
lives and being an adult. I want kids. I want to get married.
I want my parents to accept whomever I fall in love with...
I hope they do.
CZ: Finally,
Sarah, any last words for the kids?
SL: Stay close
to your family because when things go bad, they'll be there
for you. |